The Camera, the Ice, and the Egg Sandwich…by Leora Freedman

The Camera, the Ice, and the Egg Sandwich...by Leora Freedman

Morris had a large, leather-covered box which was a Graflex camera.  When he touched a bump in the textured leather exterior, the viewfinder popped up, revealing a dark, velvet-lined tunnel.  To take a picture, he rested his forehead against the velvet opening while mysterious things happened with lenses and mirrors inside the box.  When Morris pushed another bump in the leather, hidden doors opened into velvet-lined compartments.  Morris’ son Evan loved the Graflex and would hide his toy animals behind the secret doors.  Evan had a collection of glass and china dogs, cats, rabbits, and horses.  The animals took turns living inside the camera and sometimes took long trips in a velvet compartment until Morris opened the door, looking for an extra roll of film, and found a little rabbit or dog inside.

Evan wanted to use that camera from the time he was small.  But his father wouldn’t let him.  “When will you let me use your camera?” Evan asked.  His father replied, “When I die, you’ll inherit it, and then you can use it.”  “When will you die?” Evan asked with great interest.  His father gave him a different camera and taught him how to use it.

Morris was a successful dentist and could buy many cameras and lenses, but he also added to his collection by accepting cameras traded for dental work.  He had a lot of Leicas because the Leica Company helped Jews to escape Germany by giving them cameras, enabling them to pose as Leica salespeople.  Evan was supposed to become a dentist.  His father had struggled through dental school, built a large practice, and wanted Evan to go into partnership with him.  When Evan began molding his own dogs, rabbits, and horses-with-riders out of clay, all the adults praised his skill with his hands and said he’d make a wonderful dentist.  When they said this, he would offer to make them a horse with a rider.

Evan did not like chemistry class, or biology, or calculus.  What he liked best was taking pictures and developing them in the darkroom Morris set up in the bathroom.  Eventually Evan dropped out of pre-med school and went to work in the Slide-o-Chrome professional photographic lab of New York.  He got his first job by pretending to get it.  The lab had brought in a number of applicants and asked them to mix, heat, and chill chemicals.  They said they’d call the people chosen for the job.  Evan didn’t get a call, but he showed up for work on Monday morning and they let him continue.

He was assigned to the Dip-‘n-Dunk, and he learned to make hundreds of prints of people’s baby pictures, advertising shots, and magazine illustrations.  The chemicals were heated in fifty-gallon tanks inside a water bath.  If the temperature got too high, Evan went down to the street and bought a chunk of ice from the ice-man to cool down the chemicals’ bath.  Evan learned to live in darkness as if it were light.  He found his way around the lab in total darkness, clipping pieces of exposed film to the processing frames, which were placed in a metal basket and lowered by pulley into a succession of chemical tanks.  Evan pushed the basket through to a holding tank and shut a door; people who worked in light opened a door on the other side.  Once each day at lunchtime, Evan emerged from the darkroom and went to the same Hispanic deli to buy a spicy egg sandwich.  When the owner saw Evan coming, he started chopping vegetables for his sandwich.

Morris was not happy about this career choice, but when Evan rose to become a Master Printer Morris made his peace with it and even became somewhat proud of Evan’s accomplishments.  When Morris died, Evan’s brothers insisted that he inherit the best of their father’s cameras and lenses.  Evan kept them in their velvet-lined cases and did not allow the children to play with them.  Even when new, digital cameras became available, he continued to take pictures with the cameras he inherited from Morris.

Copyright © Leora Freedman 2015

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The Dreams of People from Other Planets…by Leora Freedman

The Dreams of People of Other Planets by Leora FreedmanBert Moore-Owen was a Unitarian minister in downtown Manhattan.  One spring, he preached a sermon that touched on Passover, but he admitted he’d never seen a seder.  Afterwards, a congregant approached him and said, “If you’re interested in attending a seder, I know a family who’ll invite you.”  So Bert and his wife Bea, also a Unitarian minister, came to seder at the home of Flora and Morris Feuerstein.  The two families became lifelong friends.  Flora’s sons called the ministers Aunt Bea and Uncle Bert, as if they were relatives.

Eventually Aunt Bea and Uncle Bert retired on their small pensions and went to live a subsistence life near Mt. Carmel, Connecticut.  Right around this time, Flora’s ten-year-old son, Evan, became asthmatic and was unable to breathe the air in Manhattan.  The doctors advised the Feuersteins to move to Arizona, but they didn’t want to, partly because Morris had established a dental practice in New York.  Since he couldn’t breathe on this planet, Evan believed that he had fallen to earth from outer space.  He felt unlike all the other creatures inhabiting New York City.  So he was not unhappy when his parents said they were taking him out of school for a year and sending him to live in the country with Aunt Bea and Uncle Bert.

The Moore-Owens had no children and they had lived in exotic places like India.  On a table in the upstairs parlor was a corked tube containing a cigarette made of tobacco mixed with gold leaf, given to Uncle Bert by a maharajah.  There were other curiosities on this table, like the head of a copperhead snake Uncle Bert had killed, preserved in a jar with formaldehyde.  Evan enjoyed looking at the snake’s tiny fangs.  He also liked the player piano in the parlor, though he wasn’t tall enough to reach the pedals and had to cling to the ledge beneath the moving keys, pumping hard.  Aunt Bea thought this exercise was responsible for the disappearance of his asthma.  While Evan pumped the pedals, Uncle Bert sang World War I-era songs in his beautiful tenor voice:  “Keep the home fires burning, though your hearts are yearning,” and “It’s a long, long trail a-winding, ‘til my dreams all come true…”

Aunt Bea taught Evan his school lessons at the kitchen table, rolling back the cloth so he could write.  He would also take a basket to collect eggs from the chickens, and he learned not to be fooled by the porcelain egg that encouraged the hens to lay.  The garden on the hill above the house was their main source of food, which was why Uncle Bert got so angry about the woodchucks.  In the kitchen a red door opened into a stone-lined root cellar.  When Aunt Bea switched on the single light bulb, jars of preserved fruits and vegetables glowed in deep colors.  Each evening they listened to the news on a large radio–a sacred time when no one was allowed to talk.  Afterwards they sang or played card games like Euchre.

During the day, Aunt Bea would put a flat stone on the back of the stove to warm.  At night, she wrapped the stone in towels and put it in Evan’s bed in his unheated room on the third floor.  In the freezing bed, he’d put his feet on the warm stone and eventually fall asleep.  In the mornings he dashed downstairs to the kitchen where Aunt Bea had his clothes warming by the stove.  There was no car, so every week Evan and Aunt Bea walked five miles to the nearest library, exchanged their books, and walked five miles home.  Evan had no problem breathing the air of this new part of the planet and felt less like an alien from outer space.

When Evan grew up he decided to leave New York City permanently.  With a small group of friends, he went to live a subsistence life in British Columbia.  The Moore-Owens thought this was delightful and interesting, though the Feuersteins were not happy.  But as Morris started telling his patients in the dental office about his son’s strange life, he met with unexpected enthusiasm.  He discovered that many people cherished a similar dream and had left it unrealized.

Copyright © Leora Freedman 2015

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The Daemon Lover Meets the Chew-Chew Express…by Leora Freedman

The Daemon Loer Meets the Chew-Chew Expess by Leora Freedman Morris emigrated from Russia as a boy around 1910.  After a few years in America, he began reading all the books in the children’s library.  One day, he went to the librarian, anxious that a book was missing from the shelf.  “How can I go on reading?” he asked.  Like many children’s librarians, she was the salt of the earth, so she asked him to show her what he meant.  Looking at the empty space between two books on the shelf, she realized that he thought a child had to read each book owned by the library, in order from A to Z.  In his mind, each book was an obligation, and the pleasure of reading entailed responsibilities.

As a grown man, he liked children better than adults.  It was Morris and a colleague who introduced to the American Dental Association the concept of children’s dentistry as a field.  In his dental office on Twenty-Third Street was an elaborate model train—The Chew-Chew Express—hand-crafted by a patient.  It had painted wooden boxcars full of smiling Carrots and Celery, followed by a boxcar jail with scowling Lollipops and Gum.  There were also other toys, like a giant Incisor which tore a piece of wooden lettuce.  Morris showed the children reel-to-reel movies as they sat in his dental chair in the dark; he worked with just a spotlight on the patient’s mouth and allowed a crowd of other children to sit on the floor so they could watch the movie, too.  He just stepped carefully around them.

The adults he liked were usually artists or writers; he knew many, as he accepted paintings—even by unknown artists—as payment for dental work and then hung them around the office.  In later years, this collection became valuable.  Shirley Jackson pleased him by placing him in “The Tooth,” her story about a mild suburban housewife who has a tooth pulled.  In the story she plans to go home by train (the Chew-Chew Express?), a detail that may have been inspired by Morris’ noisy, phantasmagorical office, where adults could wait to the point of exhaustion, reading the left wing and right wing political journals that Morris mischievously stapled back-to-back.  In the end, Jackson’s character leaves the dental office, forgets who she is and runs away with Jim Harris, the Daemon Lover.

The stories about Morris as a dentist all sound exaggerated, even mythic.  He drilled children’s teeth without Novocain, but it never hurt.  He could persuade even the most disturbed child to sit calmly, which brought patients from all over New York.  However, he worked twelve-hour days and was reported to have once fallen asleep briefly in the middle of a treatment, his head resting on the patient’s shoulder

When Morris died suddenly of a heart attack, the supplier said he thought he’d been sending materials to a practice of at least four or five dentists.  The family explained that Morris felt he had to give back to dentistry everything it had given to him.

Copyright © Leora Freedman 2015
First published in the Southern Humanities Review

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We Will Live as We’ve Always Lived…by Leora Freedman

We Will Live as We've Always Lived by Leora Freedman

It could be disorienting, changing from being immigrants to established professionals.  Once his dental practice was successful, Morris bought part of a brownstone on Clinton Avenue in Brooklyn.  The living room had pale green silk wallpaper and carved wainscoting.  A wide staircase spiraled to the upper floors.  For a while after they moved in, the Feuersteins—Flora, Morris, and their sons Jerry, Evan, and Martin–lived almost entirely upstairs, descending to the kitchen by way of the back stairs meant for servants.

One Saturday morning as they sat eating their breakfast in the nook off the kitchen, Morris announced, “This is ridiculous.  We’re going to live as we’ve always lived.”  Then they all got up and carried their bowls of breakfast cereal down the spiral staircase and into the rose-silk lined dining room.  The boys grew to like living in the brownstone:  The oldest brother Jerry played kick-the-can with the kids on the street; Evan explored the extensive library, and Martin did chemistry experiments in one of the marble-lined bathrooms.

Once the neighborhood “changed” around the brownstone, which meant it got worse, Morris moved the family to a ninth-floor apartment on Central Park West.  There were an elevator man and a doorman wearing serge suits with shiny buttons, and all the inhabitants went in and out in suits and mink coats.  The boys hated having to wear their uncomfortable little suit jackets whenever they went “down,” which meant down to the street for any reason.  Morris too didn’t like wearing a jacket and tie.  Finally one day Morris announced, “We’ll live as we’ve always lived, and they’ll get used to it.”  The boys went back to wearing their old corduroys and Flora stopped paying much attention to how well dressed they looked.  Rather than hiring an interior decorator, Morris and Flora jumbled their ever-increasing art collection together in whatever way pleased them, and the new home became as comfortable as it was luxurious.

By the time the youngest son Martin was a medical intern, his clothing was very shabby, as Flora didn’t notice, assuming he would take care of such things.  When Gayle first met her future husband Martin, he was wearing a coat with a hole in it, shoes with a hole, and trousers with frayed cuffs.  Gayle was also a medical intern at the same hospital, and her mother was concerned that she should marry soon.  “You’ll marry a rich boy,” she’d told Gayle, who decided at that moment to marry the poorest boy she could find.  In her mind, this poor and romantic boy looked like Martin.  They met at the hospital and fell in love.  Gayle was proud of knowing nothing about this boy’s family; she never asked for details of his parents’ lives or occupations, not wanting to shame him.  He just told her stories about his brother Jerry’s pet rats and his own home-chemistry experiments.

On Passover, Martin invited her home to meet his parents.  Gayle was confused by the Central Park West address and the doorman.  Maybe Martin’s family were living with someone else temporarily?  At the apartment door Martin turned to Gayle and said, “By the way, there are a lot of pictures in there.”  This was an understatement, as the foyer alone held seventy-two original paintings.  The meeting with his parents was a success, and the two of them married.  Eventually they too became well off, but they continued to live as they’d always lived.

Copyright © Leora Freedman 2014

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How Joseph Preserved Eve for Edwin…by Leora Freedman

How Joseph Preserved Eve for Edwin b
Flora and Eve had been friends for some time, though Eve had never met Flora’s brother Edwin since he was away at Harvard.  He enjoyed his studies and the company of five or six other Jewish men, but he didn’t have much social life aside from this.  In the Harvard of the 1920’s Jews were not welcome at mainstream student events.

Meanwhile Eve, like Flora, was living at home in Brooklyn and attending NYU.  Eve was dating a charming, intelligent, handsome young man who seemed to have a bright future.  She enjoyed her boyfriend’s company very much, but she was troubled because according to everything she’d heard about romance, she was not in love with him.  He was already hinting about getting engaged.

One night, Eve was at Flora’s house on Stratford Road.  Like many of Flora’s friends, she found herself confiding her troubles to Flora’s parents, Charlotte and Joseph.  They were all sitting in the living room drinking tea and eating Charlotte’s wonderful babka.  “Maybe I’ll never have another chance to get married,” Eve said.  She was not a beautiful girl and was also highly intelligent—and she knew what that could mean.  “Or maybe I’m just not the ‘falling-in-love’ type.”

Joseph looked at her carefully as she spoke, the way he always listened to everyone.  Flora thought how difficult, how delicate it was to advise people about matters of the heart.  Words did not often fail Charlotte, but that evening she sat fiddling with the teapot and looking concerned, as if she were having difficulty composing the right response.

But Joseph did not hesitate to deliver his judgement:  “You don’t have to settle for that,” he told Eve with complete certainty.  “You’ll fall in love with someone else eventually.”  Flora and Charlotte looked at each other in wonder.  Eve took his advice to heart and broke up with her handsome, charming boyfriend.

Not long afterwards, Flora’s brother Edwin was home for the holidays, and Eve met him for the first time.  They fell deeply in love.  After they were married, everyone always joked about how Joseph had preserved Eve for Edwin.  Joseph said he’d had no idea he was doing this.

Copyright © Leora Freedman 2014

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The Convenience of Names……by Leora Freedman

The Convenience of Names by Leora Freedman
Upon arrival in America, Jews frequently had their names changed.  Since many immigration officials were Irish, these Jews often ended up with Irish names.  In Russia, Joseph Baum’s brother was called “Elchanan.”  He was a small man, less than five feet tall.  The immigration official re-named him John L. after John L. Sullivan, a famous Irish prize fighter of the 1800’s.  John L. Baum never knew what the L. stood for, but he kept the initial all his life.

Other Jews found it convenient to change their own names.  Once, Charlotte noticed an ad for a job much better than the one she had.  But she was afraid that if she applied for the new job, her present employer would find out.  So she changed her name from Cecilia Roth to Charlotte Rich—she had cousins named Rich—and got the new job.  For the rest of her life she kept the name Charlotte, with Rich as her maiden name.  But after her death, a great-granddaughter was given her former Russian name, Klara, which had been changed to Cecilia by a first-grade teacher.

A cousin of theirs changed his name from Israel Baum to Iago Burns.  Iago became one of New York’s leading physicians, a gastroenterologist.  Breaking with Ashkenazi tradition, he named his first-born son after himself, and the boy often had to explain to classmates how to pronounce “Iago.”  Everyone in the medical profession knew the name Iago Burns, which was one reason Iago couldn’t understand why his son Iago changed his name to George when he grew up.  Iago, Sr. was hurt and dismayed that Iago, Jr. would abandon the name he’d assumed would be passed down from generation to generation.

Later, one of John L.’s sons, Andrew, followed Iago and changed his last name to Burns.  Andrew was an academic, a PhD in psychology.  Since there were quotas restricting the numbers of Jews who could enter universities or teach in them, he thought he’d have an easier time getting a job as Dr. Burns.

As luck would have it, Andrew’s first interview was with Yeshiva University.  The interviewers said, “We don’t care if you’re not Jewish, but if you have any Jewish background, we’d like to know about it.”  Andrew proudly told them that his former name was Baum; that his uncle, Joseph Baum, was a founder of HIAS and his father, John L. Baum, was president of HIAS during the war.  The interviewers were aghast:  “With a family like that, you’d change your name?!”   Andrew did not get the job.

Copyright © Leora Freedman 2014

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Love and Friendship at School….by Leora Freedman

Love and Friendship at School...by Leora Freedman

In the 1930’s, during the Great Depression, Flora Feuerstein was a high school teacher in a poor Jewish neighbourhood in New   York City.  The children did not have enough to eat or sufficient clothing, so the teachers collected things to leave with the families, saying they came from another source.  One of these students was later known as Ezra Jack Keats, the author and illustrator of children’s books.  Ezra argued politics with his teacher Mrs. Feuerstein.  He said to her once, “You’re a nice lady who thinks she can bail out a leaky rowboat with a silver teaspoon.  And by the way, I never eat any of that surplus food from your father’s farm.”  Flora’s father did not have a farm.  She later learned that the French teacher had concocted this means of donating food to Ezra’s family.

The principal, Isaac Solomon, gave a free “great books” course after school for all interested students.  The teachers were similarly dedicated.  Flora and her colleague Esty were the first public school Hebrew teachers in the city of New York, and both were recently married.  They made a pact to alternate their pregnancies (and thus maternity leaves) so the teaching of Hebrew would continue.  It was decided that Flora would get pregnant first, as she’d been married a year longer.  When it took her many months to conceive, Esty accused her of holding out.

Many students from this school went on to become successful.  When he was sixteen, Ezra won a prize for an oil painting of poor men slumped against a dark building, the scene portrayed in angular, cubist-inspired forms.  He gave the painting to Flora, who kept it hanging in her living room for the rest of her life.  Keats’s father was fearful of the poverty his son might endure as an artist, though Ezra persisted and became well off.  Another boy’s mother once came to Flora to explain that her son, who’d been admitted to Harvard, wouldn’t go, as the family couldn’t afford to keep him there.  “You feed him at home,” Flora countered, but the mother replied in Yiddish:  “At home we just put another spoon on the table.”

Decades later, African-American people moved into the neighbourhood, and students complained that Hebrew was offered at the school but not any of their languages.  So Isaac Solomon, who was still the principal, asked them what language they wanted to study.  They told him Swahili.  He couldn’t find a Swahili teacher, so he taught himself Swahili and then taught the language to these students.  Ezra also wrote and illustrated a book called A Snowy Day, about a black child named Peter who has adventures in the newly fallen snow.

Flora and Isaac remained close, and she thought their friendship exemplified her theory that a man and a woman could be friends without a romantic or sexual interest.  Yet after Isaac died, she learned from mutual friends that he had been deeply in love with her all his life.  She hadn’t known.

Copyright © Leora Freedman 2014
First published in the Southern Humanities Review

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Matches Made on Earth……..by Leora Freedman

Matches Made on Earth
The dowry was a European custom that persisted well into the twentieth century in Brooklyn.  This meant that a girl’s family could essentially “buy” her a professional husband, as the amount of the dowry was calibrated to each of the American middle-class professions.  In this system, a doctor was the most expensive husband, a dentist the next most expensive, and after that a lawyer.  Flora found this offensive and wanted no part of it.

Yet in the novels she read, the man asked the girl’s father for her hand.  So she told Morris he had to ask her father, Joseph, for permission to marry her.  This was difficult for Morris as he was shy, but he agreed to do it.  He and Joseph went into Joseph’s study one evening for a private talk.  Flora was surprised when they emerged from the study about two minutes later.  It turned out that Morris had asked Joseph for Flora’s hand.  Joseph said, “What will you do if I say no?” Morris said, “I’ll marry her anyhow.”  Joseph replied, “So why ask me?”

Even though Flora married a dentist, she always worked for a living.  When she received her first paycheck for teaching school, her mother told her she should buy something special to remind her of her first salary.  At that time, the Bezalel artists from Israel were holding an exhibition in New York at the HIAS building because no one else would give them space.  These artists made innovative pieces based on Jewish motifs.  Flora went to this exhibition and bought a bronze figure of a shadchan, a matchmaker.  She kept this figurine for the rest of her life, and it turned out to be not only an interesting art piece but also an efficacious magical object.

One evening when she was giving a party, she noticed a man and woman who’d never met each other before sitting and talking on two chairs placed right beneath the shelf on which the shadchan stood.  Flora realized that the man’s name was Isaac and the woman’s name was Rebecca.  She went over to them and pointed out that they were sitting together underneath the shadchan.  Isaac walked Rebecca home that night, and they started going together.  On Issac and Rebecca’s fiftieth wedding anniversary, Flora reminded them of the night they sat under her shadchan.

In Flora’s family, no one cared about dowries, and her own parents, Charlotte and Joseph, had married for love.  When they were apart, even after decades of marriage, he wrote her love letters.  Joseph’s feelings for his family were deep and true, but this didn’t deter him from the joking he also loved. Once, before Flora was married, she was traveling in Palestine with her mother and brother.  As a prank, her brother and an Arab friend from the village near Rosh Pina drew up a contract for the friend to “buy” Flora, who was blond and exotic-looking in the Middle East.  When Joseph heard of this, he wrote to Charlotte:  “You are a poor business woman indeed if you didn’t sell Flora at that price—you’ll never get a better offer for her!”

Copyright © Leora Freedman 2014

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Five Men plus Walt Whitman…by Leora Freedman

Five-Men-plus-Walt-Whitman-WEBThere was a tradition of being committed to something important outside the family.  For example, Joseph was president of HIAS between the two world wars and was always out at meetings trying to save Europe’s Jews.  He even traveled to Washington to tell the US government it had nothing to fear from Jewish refugees, though he did not gain Washington’s mercy.  Joseph’s children, Flora and Edwin, lived safely in Brooklyn and wanted a dog.  Joseph said no, as he disliked and even feared dogs.  The children pleaded but he would not relent.  “It’s either me or the dog,” he told them.  They thought it over and came back to him with their decision.  “We’ll take the dog,” they said, “since you’re never at home.  The dog will always be at home.”

The whole idea was to come to America and live a good life in freedom.  This meant sending the children to university, which Jews were not allowed to do in Russia.  Flora not only learned Hebrew and Talmud at the Jewish Theological Seminary, but also English literature at Adelphi, and her parents were proud of her.  She always felt that her brother’s education mattered more to Joseph and Charlotte, though.

Flora had plans to get a master’s degree at the Hebrew University in Palestine.  But suddenly she met Morris Feuerstein, the love of her life.  Morris had already emigrated from Russia to America and didn’t want another change.  “Go to Palestine,” he urged her.  They became engaged, and he gave her a ring which would not stand out in Palestine, where people were poor.  Instead of a diamond, the ring had a milky blue sapphire with a white star inside.  It was 1929, and Jews were being attacked and murdered in Palestine.  Also, Flora’s heart had been broken on a previous stay in Tel Aviv and she thought, when else will I meet a man as lovely as Morris?  So she stayed in Brooklyn and enrolled at Columbia.

Before long, Flora had almost finished her dissertation on Walt Whitman’s views of the education system.  Her father warned her:  “Don’t get married until you’ve finished your dissertation, otherwise you’ll never finish it.”  But she did marry Morris with Whitman undone, and she went to teach high school.  Babies were born, Joseph grew old and ill, and the dissertation was still not finished.  Eventually Flora had five men in her life, all living with her in an old brownstone in Brooklyn.  There were Joseph, Morris, and their three sons, in addition to Walt Whitman always lurking in the background, wanting attention.  But what could she do for Whitman?  Her mother had passed away.  There were her students, a marriage, children to be cared for, and an elderly father who was now always at home.

She was never much of a housewife, though she tried to cook for Morris.  “I know you love your husband,” said Joseph, “but you don’t need to bring him burnt offerings.”  Eventually they hired a cook so Flora could attend to Whitman in the late afternoons.  She closed the study door and told the boys not to disturb her, no matter what.  “Pretend I’m not at home,” she said.  Once, a neighbor called to report smoke coming from their window, which turned out to be her sons’ chemistry experiment.  The children also had happy times leaping off the balcony at the top of the high circular staircase, down onto a pile of cushions on the first floor.

One morning, as Flora was hurrying out to teach school, carrying the garbage with one hand and holding her briefcase with the other, she looked down at her feet and noticed that she had a blue shoe on one foot and a brown shoe on the other.  At that moment, she realized there was something impossible about her life.  She never abandoned any of the men, though, and eventually her dissertation was finished.  There was just one last obstacle caused by the man hired to type it.  As she was about to turn in the final copy to her committee, she saw that the typist had rewritten her argument.  He thought he knew more about Whitman than Flora did.

Copyright © Leora Freedman 2014

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The Dive………………………..by Leora Freedman

The Dive by Leora FreedmanThe Dive was an apartment Flora and her friends rented in a Greenwich Village brownstone in 1928.  They were all from nice Jewish families and would not have been allowed to live there, but they used it as a student hangout during the day.  The apartment was small:  You could take a bath and cook a meal at the same time because the toilet and bathtub were in the kitchen.  Flora was the only inhabitant of the Dive whose parents knew of its existence.

The landlord was a Yiddish-speaking Jew who preferred to live in the basement of the brownstone rather than uptown with his wealthy family. He enjoyed the company of artists and writers so much that he gave them apartments for free.  The artists and writers left behind wonderful furniture used by Flora and her friends to furnish the Dive.  This landlord also liked to visit the students. Once he showed up while Flora was studying Anglo-Saxon verbs and boiling carrots for her friend Harvey’s lunch.  She never had any domestic skill and had forgotten the carrots until they burned.  However, burning carrots have a delicious smell, and the landlord appeared at the door to tell her:  “You’re a wonderful berriah!” (housewife)

The inhabitants of the Dive did not drink or have sex.  Instead, they sat in front of the big smoky fireplace and talked.  Flora wore a voluminous coat in winter and used it to carry scrap wood she collected from the construction site of the Sixth Avenue El.  Life in the Dive was ordinary.  Yet these people remained each other’s best friends for the rest of their lives, and some of them married each other.  Flora’s brother Edwin met his wife-to-be, Eve, at the Dive, where she was sitting in front of the fireplace studying her law books.  “She was a very small girl reading a very large book,” he remembered, explaining his attraction to her.

Originally, Harvey was engaged to a girl named Rose, another member of the Dive.  Rose, Flora and another girl named Helen were an inseparable threesome, writing poetry together and discussing everything from literature to their love lives.  Rose was known as the feistiest girl in the Dive.  She was the type of girl who always spoke her mind, and many men would not have fallen in love with her as Harvey did.

Rose’s mother was one of the first female doctors in New York, but she died before her time, and a few months later Rose, too, died of a rare disease.  Flora was already engaged at that time, but Helen was unattached.  When Rose knew she was dying, she called Harvey and Helen to her bedside and told them to marry each other.  Mourning Rose drew Harvey and Helen together, and they fell in love.  They kept their promise to Rose and had a very good and long marriage.  It was a romantic life spent partly in a historic home in the Dolomites.

After Rose’s death Harvey had been given a wooden case, which he thought contained clothing and memorabilia.  He put away the case without opening it, assuming all his letters to Rose and hers to him were buried with her as he’d requested.  Sixty-two years later, in the midst of mourning Helen who had died a few months earlier, Harvey opened this case for the first time.  In addition to memorabilia and a poem by Flora titled “To a Friend Who Died Young,” the case held the hundreds of letters he and Rose had written during the five years of their friendship.  He was overwhelmed by grief.  But re-reading the letters at this lonely time was like having company. He immersed himself in the happy years of the Dive which he had forgotten in order to continue living.

Harvey once said that he had preserved every letter ever written to him by anyone from the Dive.  Someone speculated that people used to keep letters because the written word was valued more in those days, but Harvey disagreed.  “It was sentiment,” he insisted.

Copyright © Leora Freedman 2014

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